For the first time in four decades, the Sundance Film Festival is contemplating relocating from its long-time home in Park City, Utah. The Sundance Institute has announced that it is exploring potential new locations across the United States for the festival, which could start in 2027. This decision comes as the current contract for Park City is set to expire, prompting the organization to seek out alternative venues through a formal request for information (RFI) and request for proposal (RFP) process, which has already begun. The final choice, which might still include Park City, is anticipated to be revealed by early 2025.
Eugene Hernandez, the festival’s director, emphasized that this evaluation period is a crucial opportunity to reflect on the festival’s future. “We are at a pivotal moment for our Festival and our global film community,” Hernandez stated. “With the contract nearing its end, this exploration allows us to thoughtfully assess how we can continue to serve our community effectively while preserving the essence of the Festival experience.”
Park City has been the festival’s home since its inception 40 years ago, when Robert Redford founded it. Each January, the city transforms into a bustling hub of independent cinema, with venues including libraries and temporary spaces hosting screenings and events. The festival has become renowned for its role in launching the careers of many prominent filmmakers and has been the backdrop for premieres of films that have gone on to win Oscars, such as “CODA,” the first Sundance film to win Best Picture, and recent documentary winners like “20 Days in Mariupol,” “Navalny,” and “Summer of Soul.”
Ebs Burnough, chair of the Sundance Institute Board, expressed enthusiasm for the festival’s ongoing role in independent filmmaking. “We are excited about the vibrant energy in independent cinema and are committed to ensuring the continued discovery and support of independent artists and audiences,” Burnough said.
This exploration of new venues also aligns with earlier concerns expressed by Redford, who, as far back as 2016, had suggested that the festival might need to evolve beyond Park City. Redford and his daughter, Amy Redford, a board member, have been involved in the current evaluation process.
Adding to the changes within the organization, Joana Vicente recently stepped down as CEO after two and a half years. Amanda Kelso, a board member, has been named acting CEO, though a permanent replacement has not yet been appointed.
As the Sundance Institute navigates these significant decisions, the future of the festival remains uncertain, but the focus remains on continuing to provide a dynamic platform for independent filmmakers and preserving the festival’s renowned legacy.
